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Performance in Profile 2010 - British Council - Arts

Chris James
International Projects Manager

Royal Court Theatre
Sloane Square
London SW1W 8AS

T +44 (0)20 7565 5050
+44 (0)20 7565 5001
E chrisjames@royalcourttheatre.com
W royalcourttheatre.com

Performance in Profile links:

Dance
- Small-scale companies/artists
- Middle-scale companies
- Large-scale companies

Drama
- Small-scale companies/artists
- Middle-scale companies
- Large-scale companies

Live Art
- Live Art companies/artists

Outdoor Work
- Outdoor companies

SIZE OF COMPANY
Varies

SCALE OF VENUE
Small- to middle-scale

PERMANENT STAFF
Artistic Director

Dominic Cooke

Deputy Artistic Director
Jeremy Herrin

Associate Director International
Elyse Dodgson

Associate Director
Sacha Wares

Literary Manager
Ruth Little

Executive Director
Kate Horton

Production Manager

Paul Handley

International Projects Manager
Chris James

ARTISTIC POLICY
The Royal Court is a national company dedicated to finding and producing work by new writers from all over the world. Through its International Department, play development projects take place in many different countries, and regular seasons of the work developed take place in the Jerwood Theatre Upstairs. The Royal Court also works extensively with British young and emerging writers through our Studio playwriting groups.

REVIEW EXTRACTS
‘Savage and hilarious; anyone who questions modern theatre needs to see this show.’ The London Paper (Over There)

‘Dominic Cooke has just the genius and kick that this venue needs… It’s fist-bitingly exciting.’ The Independent

CURRENT PRODUCTIONS
Visit www.royalcourttheatre.com for details of each season as it is announced.

RECENT INTERNATIONAL WORK
2009 Germany (Over There)
2008 Poland (The Ugly One)
2007 Ireland (Kebab/My Name Is Rachel Corrie), USA (Rock n Roll/My Name Is Rachel Corrie)
2006 Austria (Motortown), Mexico (On Insomnia and Midnight)

TOURING AVAILABILITY
The Royal Court only occasionally produces work specifically designed to tour, but it is always interested in discussing possibilities with promoters for one-off visits, residencies and remounting productions. The company’s planning cycle tends to be approximately six months in advance.

British Council Arts

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