Organ Specifications
| Holtkamp Practice Organs | ||
|---|---|---|
| Holtkamp Practice Organ 1 | Manual I – Rohrflöte 8’ Manual II – Gedeckt 8’ Pedal – Open Flute 8’ |
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| Holtkamp Practice Organ 2 | Manual I – Gedackt 8’ Principal 4’ Quintadena 4’(Man.II) Zimbel II Manual II – Quintadena 8’ Gedackt 4’(Man.I) Principal 2’(Man.I) Larigot 1_’(Man.I) Pedal – Quintadena 16’(Man.II) Gedackt 8’(Man.I) Principal 4’(Man.I) Quintadena 4’(Man.II) |
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| Walcker Practice Organ | ||
| Walcker Practice Organ | Manual I – Gedeckt 8’ Prinzipal 4’ Mixtur 2-3 fach II – I Manual II – Rohrflöte 8’ Pedal – Subbaß 16’ |
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| Schlicker Organ (Recital Hall) | ||
| Schlicker Organ | Swell Gedeckt 8’ Salicional 8’ Rohrfloete 4’(Gt.) Nazard 2_’ Principal 2’(Gt.) Tierce 1 3/5’ Scharf III Fagott 16’(Ext.) Fagott 8’ Fagott 4’(Ext.) Tremolo Swell to Swell 4’ Great Pedal – Pommer 16’ - 4 General Memory Pistons |
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| Holtkamp Organ (Concert Hall) | ||
| Holtkamp Organ | The organ in the Concert Hall of the Frank Moody Music Building was reated by the Holtkamp Organ Company of Cleveland, Ohio, at the instigation of arren Hutton, then Professor of Music and University Organist. The instrument was funded entirely by private donors. There are sixty-five and one-half independent stops and eighty-six ranks of pipes. There are some five thousand pipes in the instrument. The key action is mechanical (tracker action), and the stop action is electric. There is mechanical intermanual coupling, but there is also additional, electrical coupling for Swell to Great, Positiv to Great, and Swell to Positiv. These three special couplers are designated with an “E,” so there is a “Swell to Great E” coupler as well as the usual “Swell to Great” coupler. Walter Holtkamp, the builder, described the physical organization as follows: “The Solo, an enclosed division, is located directly above the console. Above the Solo is the Great and at the top of the central section we placed the Swell. Flanking the Great and Solo is the Pedal. Above the Pedal, on each side, is the Positiv.” The instrument was installed in 1988 and featured in that year’s September issue of The American Organist. |
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| Pedal (32 notes) 32 Subbass 16 Principal 16 Subbass 16 Quintadena 8 Octave 8 Openflute 4 Choralbass 4 Nachthorn 2 Hornlein 2 2/3 Rauschbass IV 32 Basun 16 Posaune 16 Dulzian 8 Trumpet 4 Trumpet | Great (61 notes) 16 Principalbass 8 Principal 8 Gemshorn 8 Rohrgedakt 4 Octave 4 Spitzflöte 2 2/3 Quinte 2 Superoctave 13/5 Terz 2 Mixture IV 1/2 Scharf III 16 Trumpetbass 8 Trumpet | Swell (61 notes) 16 Bourdon 8 Gamba 8 Gamba Celeste 8 Rohrflöte 4 Geigen Principal 4 Harmonic Flute 2 Principal 1 1/3 Quinte 1 Mixture IV 1/3 Cymbal III 16 Fagott 8 Trompette 8 Oboe 4 Clairon Tremolo |
| Positiv (61 notes) 16 Pommer 8 Flöten Principal 8 Bourdon 8 Quintadena 4 Praestant 4 Rohrpfeife 2 2/3 Nazard 2 Octave 2 Blockflöte 1 3/5 Tierce 1 1/3 Larigot 1 1/3 Mixture IV 8 Trumpet 8 Cromorne Tremolo | Solo (enclosed, 61 notes) 8 Copula 4 Koppelflöte 2 Doublette 1 Principal 2 2/3 Cornet II (TC) 1/4 Zimbel III 16 Rankett 8 Vox Humana 4 Schalmey Tremolo | Couplers Great to Pedal (reversible) Swell to Pedal (reversible) Positiv to Pedal (reversible) Solo to Pedal Swell to Great Swell to Great E Positiv to Great Positiv to Great E Solo to Great Swell to Positiv Swell to Positiv E |
